ZİŞAN UĞURLU İLE MONOLOG WORKSHOP
Çehov'da Gündelik Hayatın Sıkıntısı
29, 30, 31 Temmuz
14.00 - 18.00
Monolog üzerine çalışacağımız bu atölyede, yirmi beş yıldır tiyatro çalışmalarını New York’ta sürdüren ve on beş yıldır New School’da oyunculuk ve yönetmenlik dersleri veren oyuncu, yönetmen ve eğitmen Zişan Uğurlu ile Çehov’un oyunlarına yeni bir gözle bakıyoruz.
Çehov’un oyunları hep oynandığı gibi dram mı ya da hep iddia edildiği gibi komedi mi? Günlük hayatın bezdirici ayinleri ve boğucu rutinleri arasında bunalan Çehov karakterlerindeki iç burkan mizahı nasıl yorumlar ve oynarız?
Oyunculuk eğitimi ve/veya deneyimi olanların katılabileceği üç günlük bu atölyede Zişan Uğurlu, Çehov’un Martı, Vanya Dayı, Vişne Bahçesi, Üç Kızkardeş oyunlarındaki karakterler üzerine çalışıyor. Katılımcıların bu oyunlardan bir monoloğu ezberleyerek atölyeye katılması istenmektedir.
DTCF Tiyatro Bölümü’nde lisans ve doktora yapan Zişan Uğurlu, NewYork Colombia Üniversitesi Oyunculuk Bölümü’nde ikinci yüksek lisansını yaptı. 1995'ten beri New York'ta yaşayan Uğurlu, Amerika ve Avrupa’da çok sayıda oyunda rol aldı, yönetti ve farklı ülkelerdeki birçok eğitim kurumunda ders verdi.
Katılımcı sayısı: 6 – 8
Ücret: 600 TL
Kayıt: cihangirakademi@gmail.com
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ZISHAN UGURLU has worked extensively both in New York and abroad as a theater artist since 1995. She is an actress and director-in-residence at La MaMa and Great Jones Repertory Company. She has performed in numerous productions with Great Jones Repertory Company, including Panorama directed by Italian company Motus as part of The Under The Radar Festival 2018. Panorama presented in Mondaino, Bolognia, Milan, Santarcangelo, Rome, Potenza, Bari, Pesaro, Ascoli Piceno, Trento, Udine, Italy, Ghent, Belgium, Barcelona, Spain, Innsbruck, Austria, and Berlin, Germany. She has also acted in The Trojan Woman, directed by Andrei Serban, composed by Elizabeth Swados, in which she toured internationally as Helen of Troy. Under the direction of Ellen Stewart she performed in Draupadi, Oedipus Rex and Yunus. She played Carmen in Robert Wooduff’s award winning Godard-Distant and Right. Solo performances include the world premier of Dario Fo’s Peasant’s Bible, Dante in Dante, and Antigone. Additional acting credits include Desdomona in Othello, Monique in Koltes’ West Pier, and Medea in Heiner Mueller’s The Medea. She is featured in the films: The Letter, which was part of the Cannes Film Festival, and a short film, Dog Race, received many awards at International Film Festivals. She is currently working on two directing projects: Fragments, Lists, and Lacuna written by Alexandra Chasin and featuring Judith Butler and Music Room by John Runowicz about the prison system in America and working with formerly incarcerated individuals. She was recently awarded “Best Direction” for Yu Ling Wu’s solo performance “Dream American”, while Wu was awarded “Best Comedian” by the United Solo Festival. She was recently invited to direct Measure for Measure by William Shakespeare at Istanbul Municipality Theater for its 100-year anniversary and for the 450th anniversary of Shakespeare’s birth. Her directing credits include the solo performances The Mom, The Dad, & The Holy Spirit, Harlem Blooms In Spring by Jersten Seraile, at Off –Broadway, Theater Row (United Solo Festival), Race Free by Maria Mukuka, at Off –Broadway, Theater Row (United Solo Festival), In the Storm of Pleasure by Daniel Benhamu at Off –Broadway, Theater Row (United Solo Festival Best Debut Award), The Surrender by Toni Bentley at Off-Broadway, The Clurman Theater, Oysters, Orgasms, Obituaries by Raina von Waldenburg (Nominated for New York Innovative Theater Award for Outstanding Solo Performance) and Request Program by F. X. Kroetz. Her recent directing credits include The Franca Rame Project by Dario Fo and Franca Rame, Agamemnon (in Greek) by Aeschylus, Not About Nightingales by Tennessee Williams, She Talks to Beethoven by Adrienne Kennedy, Elegant Degradation based on Charles Mee’s Orestes 2.0, Marathon Dancing: Letters to Wall Street in the Era of Wonderful Nonsense based on They Shoot Horses, Don’t They? by Horace McCoy, The Judith of Shimoda by Bertolt Brecht, π-ROJECT (in Greek) based on The Persians by Aeschylus, Child is a Father to Man by Philip Kan Gotanda, The Law of Remains by Reza Abdoh, Purge by Sofi Oksanen, Kebap - Mady Baby.edu (in Turkish) by Gianina Carbunariu, The Realm of Darkness by Leo Tolstoy, Baghdadi Bath (In Arabic) by Jawad Al Assadi, The Father by August Strindberg, Temptation by Vaclav Havel, Blood on the Cat’s Neck by Rainer W. Fassbinder, The Bat in Iraq Insurgency - Counterinsurgency by Alexandra Beech, The Last Supper by Lars Norèn, Operetta by Witold Gombrowicz, Until the Next Whirl by Rumi, Watershed and Serious At All both by Tom Soper, Blood Wedding by Federico G. Lorca, Big Love by Charles Mee and The Court of Fehim Pasha by Turgut Ozakman. She has also worked on devised theater pieces such as Black Market and Water Therapy and created an untitled piece with inmates at a maximum-security prison and with formerly incarcerated individuals in New York based on reentry issues. She is a science fellow at Ligo Project working with Dan McCloskey Lab. She is the founding artistic director of “Actors without Borders-ITONY,” an ensemble-based theater company with a commitment to introducing well known and highly regarded but rarely produced international playwrights to American audiences. The company also strives to work with daring American playwrights. She graduated from Columbia University with a MFA degree and holds a Ph.D. in theater. She is currently teaching at Eugene Lang College The New School for Liberal Arts as an Associate Professor. She is the recipient of the prestigious Fox Foundation Fellowship granted by TCG.
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